This review was first published in Resource Links Magazine, “Canada’s national journal devoted to the review and evaluation of Canadian English and French resources for children and young adults.” It appears in volume 22.2.
Having been a juror for the Geoffrey Bilson Award for Historical Fiction For Young People for the past two years (it is a two-year appointment), I have to say that When Morning Comes stands a very good chance of being the winner for 2017. That cannot, of course, be reflected in my review for Resource Links, but I wanted to add that opinion to my appreciation of Raina’s excellent novel.
When Morning Comes (2016)
I am not an expert on African politics, but have been come increasingly interested through a number of fabulous young adult novels that have come my way. First there was
I am not an expert on African politics, but have been come increasingly interested through a number of fabulous young adult novels that have come my way. First there was Cape Town (2012), by Brenda Hammond; then Walking Home (2014), by Eric Walters; and now When Morning Comes, by Arushi Raina. They just keep getting better. Raina’s complex characterization and intricate plot kept me enthralled from my first meeting of Zanele and Jack and Meena through to the devastatingly inevitable conclusion. Raina does not capitulate to simplistic narrative expectations of some current YA genres, wherein the teen protagonists rise above the socio-political powers against which they struggle and succeed; this is perhaps because the novel is based on historical events, but it is nonetheless admirably handled. Raina’s characters are young: inexperienced yet passionate, afraid yet determined. They behave immaturely under pressure. They make mistakes. They—and more importantly those around them—suffer for those mistakes. And so they learn, but that learning sometimes comes too late. The bravery of some characters seems at times almost excessive, but it is always believable.
The story is set in Johannesburg, South Africa, in 1976. We meet Zanele as she and her friends attempt to bomb a power station. The attempt fails; two of her friends are arrested; Zanele escapes. Theirs is but a small act of terrorism aimed at helping to overthrow the apartheid government. As the novel progresses, Zanele’s life becomes inextricably entwined with that of Jack, a naïve white boy who is entranced by Zanele; Meena, daughter of a South Asian shopkeeper who is being extorted by a local gang; and Thabo, one of the gang members and Zanele’s childhood friend. The intricate connections Raina constructs in her narrative all lead inexorably toward the tragedy that erupted on June 16th, 1976. The Soweto Uprising is infamous in South African history for the police brutality used against the 15,000 students in the protest that quickly became a riot. Raina’s novel traces the path from the government imposition of Afrikaans as the language of instruction, through the Soweto high school students’ growing dissatisfaction, to their cohesive plan of action. The short “historical intro”—significantly at the back of the novel—informs the reader of the real historical moment, but the novel itself is a far stronger exposition of the students’ anger and power than any historical commentary could be.