This review was first published in Resource Links Magazine, “Canada’s national journal devoted to the review and evaluation of Canadian English and French resources for children and young adults.” It appears in volume 19.1.
Lily and Taylor
“They stuffed her brain inside her chest” (1). With an opening like that, readers are at odds to guess even the genre of Elise Moser’s novel: science fiction? fantasy? police drama? We soon learn that Taylor is watching an autopsy. A strange activity for a teen, so readers from a privileged world might assume that this is some sort of educational experience. For Taylor, it is not; Taylor is viewing the autopsy of her sister, Tannis, killed by her boyfriend in domestic abuse. The genre is now obvious: stark realism. Taylor’s life and experiences are not those of the average teen… or maybe they are. Maybe those of us living sheltered lives have no idea of what happens to far too many individuals living below the poverty line, or on the streets, or with drug or alcohol addicted guardians, or in abusive relationships that they just don’t know how to get out of.
Taylor’s story brings home the helplessness young women might feel when they do not have the strength, or more importantly the means, to escape. Lily’s life is different, but becomes intertwined with Taylor’s when Taylor is taken to live with her grandparents after Tannis’s death. Lily is alone, looking after her brain-damaged mother, who is nonetheless proclaimed capable enough to remain Lily’s legal guardian. Lily stands outside of normal teen society, but by choice. Taylor respects Lily’s strength, her individuality, and begins to stand up to those around her. The fly in the ointment is Taylor’s abusive boyfriend, Devon, who she has left behind. She is torn between fear of Devon’s unreasonable violence, and her own need to be loved by anyone. As her friendship with Lily grows, and she begins to create a normal life for herself, Devon’s telephone calls become more frequent and more threatening. When he finally appears, the girls find themselves in a very dangerous—even life-threatening—kidnapping situation. It is here that the realism of Moser’s novel comes to the fore, because it is in no way obvious which way she will take her plot. For the next 100 pages, we are fraught by the fear the girls face, the thin line between their survival and Devon’s abuse. How each of them deals with the threat they face almost tears them apart. In the end, their affection for and understanding of each other wins out, but Moser gives them—and us—nothing for free. Such is life, she tells us, when you have so few options. For Lily and Taylor, their friendship is all that is they can cling to: but they have learned that their respect, love, and loyalty might be enough.