It was surprisingly nostalgic to read Kristin Butcher’s The Runaways. The feeling grew on me slowly, undefined until a scene in the later part of the story when Nick, the protagonist, is trying to learn more about a favourite childhood author. Nick goes to the library, where he first checks newspaper reports, and then is pointed by the librarian to Who’s Who. It was at this point that I was compelled to check the publication date: 1997, when the Internet was in its infancy and not every middle-school student had a cell phone. The pre-digital narrative was refreshing, especially given Nick’s interest in investigative journalism, yet it caused me to wonder how middle-school readers today would respond to the story. Is this now a period piece? I’m hoping that young readers will not be put off by the unfamiliarity of earlier research techniques, because the story itself carries a message that is as strong and pertinent today as it was in 1997.
The scene opens on Nick running blindly, flat-out, escaping from a situation he finds unbearably painful: his mother and despised step-father are having a baby. Nick ends up spending the night in an abandoned house on the top of a hill over-looking his town. There, in the morning, he is found by Luther, a homeless man well-known in the community, whose “home” he has invaded. When the police come looking, Nick recognizes Luther’s need not to be found, and says nothing about their meeting. But the seeds of have been sown, and what begins as a curiosity about Luther develops into a more serious social interest in the lives of the homeless. Nick takes on the subject as a school research project and with the help of Cole, his step-father, investigates the real lives of people on the streets.
Cole is a journalist for the Andersonville newspaper and becomes Nick’s ally against maternal concerns about investigating the rougher side of town. Their shared interest gives Cole a platform upon which to build a meaningful relationship with his new step-son, and through their shared adventures, Nick begins to both understand and appreciate Cole’s new role in his life. In contrast to Cole’s active overtures towards Nick, Luther works to maintain an emotional distance, but his reticence runs up against Nick’s insatiable curiosity, tempered though it is by respect for Luther’s obvious intelligence.
The Runaways is very much about taking the time to really think about other people’s lives; it is about developing empathy, not only for people who are obviously “other” (Luther and the homeless community) but also for those closer to us, whose strengths we might not see clearly.