This review was first published in Resource Links Magazine, “Canada’s national journal devoted to the review and evaluation of Canadian English and French resources for children and young adults.” It appears in volume 21.1.
Illustrated by Geneviève Godbout.
When Santa Was A Baby
This review was first published in Resource Links Magazine, “Canada’s national journal devoted to the review and evaluation of Canadian English and French resources for children and young adults.” It appears in volume xxx
The first thing that strikes one about When Satan Was a Baby is Geneviève Goudbout’s clever artistic style, which replicates the wrapping paper and illustration of Christmases in the 1960s and 1970s. The muted autumnal pastel drawings, the pencil-crayon poinsettias against the moss-green background, the red button noses and shiny apple cheeks of the characters: all these speak of a heartwarming nostalgia that is reinforced by the story.
Linda Bailey’s Santa is a normal little boy… except for his booking baby voice, and maybe his love of red over every other colour, and perhaps his propensity for re-wrapping his birthday presents… Things begin to become clearer to the reader when he harnesses his hamsters to a matchbox to pull around the house. Part of the joy for the young reader will be that Santa’s parents still haven’t figured it out. “Extraordinary!” his father proclaims; “He’s so creative!” coos his mother. “Don’t they get it?!” the young reader will ask in an exasperated, or perhaps superior, voice.
Bailey’s humour is giggle-inducing and sustained throughout the story; allusions to perhaps the most famous Santa poem—“A Visit from St. Nicholas”—are subtle and effective. The story is all wrapped up neatly in the end, when Santa’s parents comment, with a revisionist view of his youth, “That’s what we always thought he’d do … We knew it all the time.” And Santa replies “HO HO HO!”